This font is a beautiful informal contemporary sans type typeface with tons of alternates on every lowercase as well as uppercase letters. With character spacing as well as different weights, you can make the designs the most perfect graphics. For headlines, titles, etc you can use heavier weights. You can use this Tungsten font for a variety of designs, if you design text content like text body, you can use lightweight. And of course, they will be appropriate for each type of design project you use. The weight of the Tungsten font differs with each style.
#Hoefler text font free download install
Install it in your apps and experience this sans serif font for better clarity.īecause this is a popular Sans serif font, it also has the features of common sans fonts. There’s no need to describe much of your font’s outstanding features. License: You can use this font for personal purpose.With different unique styles, the Tungsten font gives all your designs a distinct personality.In the years since, small caps and old-style figures have become standard issue with the best text faces from all of the world’s great type foundries. While GX never emerged as a viable font format for designers, it did fulfill its original promise of turning Hoefler Text’s “advanced features” into a new baseline for digital typography. Apple commissioned us to further expand the fonts, and licensed Hoefler Text for inclusion in System 7, the Macintosh operating system. Hoefler Text’s steadfast agenda sparked the interest of developers at Apple, where a fledgling technology called “TrueType GX” was being created with the goal of making fine typography not only available to everyone, but effortless to use. Hoefler Text even invented a few traditions of its own, such as case-specific punctuation and italic small caps, and worked to expand the reach of digital typography beyond the United States by including a wealth of foreign symbols and accents.
Hoefler Text, designed in 1991, was an opening salvo in the fight for fine typography.įollowing on the heels of the Adobe Originals program, which had just begun to introduce designers to such far-out concepts as “old-style figures” and “small caps,” Hoefler Text resuscitated a number of other traditions that had once been central to fine printing: extended ligature sets, the engraved capitals of the early twentieth century, and the arabesques of the renaissance. For those font users willing to submit to annoying workarounds (remember the “expert set?”), digital type offered the potential for fonts to be not merely as good as traditional ones, but demonstrably better than anything that had gone before. While the market for digital type was untested, the possibilities of the medium were apparent.
It’s no wonder that mossbacked traditionalists were so skeptical of the computer. Manufacturing their most important faces first, at a time when their production processes were at their weakest, meant that some of the world’s greatest typefaces were quickly becoming some of the world’s worst fonts. Few of the great type foundries had embraced electronic publishing in any significant way, and those that had were just beginning to tentatively remaster their most famous fonts for use on personal computers.
When Jonathan Hoefler founded the company in 1989, digital typography was in its infancy.
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